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ZODIAC

Found 11 results

  1. STAR Networkâs streaming platform Hotstar doesnât really get credit for what it tried to accomplish back in 2019. With the release of sports documentary Roar Of The Lion, it kicked off its own homegrown, Indian web series platform with Hotstar Specials. Since then, weâve seen the network test the waters with crime thriller after crime thriller - stumbling hard on itâs attempt to pull off the mockumentary-style humour of The Office. This week, Hotstar has released Kay Kay Menon starrer Special Ops - a slow burn espionage thriller that certainly has a lot going for it - with Neeraj Pandey, director of Baby, A Wednesday!, Rustom and Special 26 at the helm, expectations are pretty high. Letâs see how well the final product matches them. The series opens on establishing shots over New Delhiâs Connaught Place and Red Fort - zooming into our main man Himmat Singh (Kay Kay Menon). In 2019, the grizzled yet seemingly focused RAW agent finds himself across the table from two auditors, claiming that his department has financial irregularities. The premise is explained right from the get-go. Himmat elaborates that his investigations took his team across the Middle East over the last two decades, on a high-stakes manhunt to find the supposed mastermind behind the 2001 Parliament attacks. Naturally, the villain is still at large. All of this is presented in the first episode with varying levels of accuracy and directorial skill. Menonâs performance as Himmat is nuanced and balanced well. The story flips between his life in the early 2000s and 2019 with nuanced portrayals of a young agent with something to prove, contrasting with his more confident, relaxed older self. The parliament attack itself is recreated in a ten-minute sequence thatâs surprisingly close to the real deal. © Hotstar Most of its cast (and budget, therefore) are given the task of not fleshing out their characters, but simply advancing the plot. While this works well in Neeraj Pandeyâs feature-length films, a web series' success depends far more on how engaging and enjoyable its cast is to watch on screen, especially when you consider the sheer volume of runtime. As the series progresses, we get to see Himmatâs determined, by-the-book philosophy erode as he becomes obsessed with tracking down his enemy. We see him lock horns with departmental heads, fail to share his burdens with his family and even resort to cloning and tracking his daughterâs cell phone. It all works great and is performed masterfully, until you realise that most of your runtime is spent waiting for Menon to return on screen. Along with Tacker though, Iâd like to highlight Vinay Pathakâs performance as a police officer and informant - the veteran actor brings a heap of much-needed charisma and personality into what would otherwise be yet another forgettable role. The clearest and most obvious comparison within Pandeyâs filmography is 2016âs Baby, which coincidentally happened to feature Menon as the main villain. The film tackles similar themes of terrorist conspiracies, elite task forces and high-stakes drama, but does so much more effectively. The biggest reason for this is, simply put, Baby keeps the pace running with more-or-less the same ultimate message for viewers, but does so with far less time between itâs setpieces, giving you the idea of urgency and thrill that Special Ops misses out on. Allâs not bad though - the series is certainly worth a watch if youâre a fan of Menon or Pandeyâs work, and props go to the latter for avoiding jingoism and the kind of opinion-pandering thatâs taken over Indian media in recent years, despite the subject matter of terrorism. Thereâs very little Islam-alarmism, and perhaps while Special Ops is not perfect, itâs certainly a special addition to Hotstarâs lineup. Rating: 3/5 View the full article
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    Jannat Kay Pattay Novel by Nimra Ahmed PDF Download: Jannat Kay Pattay novel is a lifetime of LLB (Hons) pupil Haya Suleman chose an intriguing turn when she obtained a scholarship to examine a five-month session in a college in Turkey, however, the situation became tomb when somebody leaked a personal video of her left in a celebration online. To maintain away the video from the opinion of the people of the traditional family and also to prevent some complications, she needed to get in touch with an officer of the Cyber Crime Mobile that would have had her movie eliminated. But soon she had been unsettled by the simple fact that this officer knew a lot about her.a novel by nimra ahmed. Can Haya be in a position to receive that movie removed on the world wide web? Will never be in a position to visit Turkey? And more to the point, will finally have the ability to meet “him”he that she’s never met before but was looking for for several decades? In the streets of Istanbul into the Bosporus sea, in the sea of Cappadocia into the torture cells from Indian jails, Jannat Kay Pattay novel (English: Leaves of Heaven) is similar to a roller coaster ride where many of your suspects will be proved incorrect and this cryptic tale will continue to keep its keys safe until the previous sentence. Since keeping keys is still an art and not everybody understands it! jannat kay pattay novels is a best selling novel in pakistan.
  3. View File Jannat Kay Pattay Novel by Nimra Ahmed PDF Book Download Jannat Kay Pattay Novel by Nimra Ahmed PDF Download: Jannat Kay Pattay novel is a lifetime of LLB (Hons) pupil Haya Suleman chose an intriguing turn when she obtained a scholarship to examine a five-month session in a college in Turkey, however, the situation became tomb when somebody leaked a personal video of her left in a celebration online. To maintain away the video from the opinion of the people of the traditional family and also to prevent some complications, she needed to get in touch with an officer of the Cyber Crime Mobile that would have had her movie eliminated. But soon she had been unsettled by the simple fact that this officer knew a lot about her.a novel by nimra ahmed. Can Haya be in a position to receive that movie removed on the world wide web? Will never be in a position to visit Turkey? And more to the point, will finally have the ability to meet “him”he that she’s never met before but was looking for for several decades? In the streets of Istanbul into the Bosporus sea, in the sea of Cappadocia into the torture cells from Indian jails, Jannat Kay Pattay novel (English: Leaves of Heaven) is similar to a roller coaster ride where many of your suspects will be proved incorrect and this cryptic tale will continue to keep its keys safe until the previous sentence. Since keeping keys is still an art and not everybody understands it! jannat kay pattay novels is a best selling novel in pakistan. Submitter waqas dar Submitted 12/18/2018 Category Urdu Novels Writer/Author nimra ahmed  
  4. After delivering an enthralling performance in the 2017 war film 'The Ghazi Attack', actor Kay Kay Menon is back in action with a suspense thriller called 'Vodka Diaries'. Kay Kay Menon is one of the most underrated actors, yet time and again this man has proved that he is in reality the dark horse of Bollywood. © K'Scope Entertainment Pvt Ltd Pick any movie that he has been a part of—'Sarkar', 'Haider', 'Gulaal', 'Life In A Metro', 'Black Friday' or 'Bheja Fry 2'—all these movies were successful both critically and commercially, and in every film Menon stole our hearts and the show with his brilliant acting and versatility. And by the looks of the teaser trailer of 'Vodka Diaries' that was recently released, this movie is going to be another marvel and sheer visual treat for all those who love suspense and thriller genre. © K'Scope Entertainment Pvt Ltd Set in the backdrop of Manali, 'Vodka Diaries' revolves around a club of the same name where few mysterious murders take place. And Menon will be seen in a yet another challenging role of ACP Ashwini Dixit, who is given the responsibility to hunt down the murderer. Although we couldn't make much out this minute long teaser trailer, but the circumstances that Menon was thrown in and a mysterious woman, who constantly attacks Menon psychologically (with him dreaming about his own death), is intriguing enough to pull someone to the theatres to watch it. It's very rare to come across thrillers that send chills down your spine, this teaser seems to have the potential to do that and leave you gasping for air. We just hope that the movie lives up to the edgy and thrilling teaser. Apart from Kay Kay Menon, actress Raima Sen, Sharib Hashmi and Mandira Bedi too play important roles. 'Vodka Diaries' is directed by Kushal Srivastava and is slated to release of January 19, 2018.
  5. Be it as Siddharth Tayabji in 'Hazaaron Khwaishein Aisi', Vishnu Nagre in 'Sarkar', Shilpa Shetty's chauvinist husband in 'Life...In A Metro' or Khurram Meer in 'Haider', Kay Kay Menon is one of those rare actors in tinsel town, who is respected for his sheer talent and understanding of the craft and there is just no one like him. He might not be your conventional hero, but he is someone who challenges the idea of it and has given some powerful performances over the years that one can never forget. He is not someone who bothers about validation in form of awards but would do anything to play an exigent character on-screen. © Dharma Productions Unlike many, he follows his own approach when it comes to choosing a film and looks at the world of cinema with a different perspective. Over a cup of hot coffee, the actor spoke exclusively to MensXP about validation, current scenarios of Indian cinema, his 'unofficial guru' Naseeruddin Shah, his views on parallel cinema, the '100 crore' film club and a lot more. Q. How did acting happen to you? Menon: I think I happened to act, like I don't know. Since the age of nine, I used be on stage. My first act was that of a sunflower. Since then I have enjoyed acting. For me acting happened at a very, very young age perhaps. But to recognise the fact that I had some mettle in it, took some time. Because I went into education like MBA, BSE Physics I did digress a bit and then got into acting. But I am glad I completed my education. © Twitter Q. What are the deciding factors for you when you choose a project? Menon: There is no formula; there are no criteria as such. Apart from the fact that it is something undefined and attracts you to life, it's the same with the script. It's something like love perhaps, in which you have no reason to love somebody. So when you read the script, you feel attracted towards the screenplay, the person you are going to portray and that's it. It's more on a subconscious level and the criteria one needs to understand is the money should be okay and of course, good people working in the film. These are some empirical factors but liking a script is a very subconscious and gut feeling. Q. Are you happy with the current scenario of Indian cinema? What needs to change? Menon: My happiness doesn't really count but I shall keep my point of view. I think what needs to change is the area of integrity, it needs a lot of work. We are in the business of emotion, I understand business is important but if you concentrate only on that, the creativity goes for a toss. So what needs to change is the fact that we should passionately and with a lot of integrity make films and promote them as well. It should be balanced, if it is lopsided then you have a problem with creating good cinema. An act watched widely in other mediums but hardly any crowd at the theatres!! ðð#shaurya #bollywood #film #actorslife #shootlife #throwbackthursday #photooftheday A post shared by Kaykay Menon (@kaykaymenon02) on Aug 24, 2017 at 12:21am PDT Q. Does validation in the form of awards matter to you? Menon: I have come to a situation where rewards matter and awards don't. I have gone to award functions and done my bit. Initially, I avoided them, I used to get nominated for all the films since the time of 'Sarkar' but I used to never go and hence I never used to get an award. The criteria is to go there and then only you get an award, not for your work but for your presence perhaps. So when I got an award for 'Haider', I went for IIFA and Filmfare, so I have done my bit. Nothing really happened after that, things were the same, so I think I have switched to rewards than awards. Q. What are you like off-screen and what do you like apart from acting? Menon: This is something you should ask people around me. So I shall quote Shakespeare here which I often do, “The eye sees not itself. But by reflection, by some other things.” So I can see myself through the reflection of other people. Apart from acting, I like sports and then I like acting. So for me, sports is first on my list then acting. So I am pursuing my second love. It took all my acting prowess to hide the joy that the Biggest Legend is holding me! Happy B'day Amitji! @amitabhbachchan #happybirthday #AmitabhBachchan #legend #actor #HindiFilm #Deewaar #Sarkar #coactors #actorslife #shootlife A post shared by Kaykay Menon (@kaykaymenon02) on Oct 10, 2017 at 9:29pm PDT Q. One skill that today's generation actors need to learn? Menon: I haven't analysed anyone so commenting on it would be premature on my part to give unsolicited advice. But in general, the skills that you need to learn are to be a voracious reader, passionately rehearse and after you have done good work just let go. Q. Tell us about your mentor Naseeruddin Shah Menon: Naseer is the person from whom I learned the entire stagecraft from. We performed together on stage and I learned a lot from the way he approaches stagecraft that was my initial training. One of our theatre groups used to say, “Acting can never be taught, it can be learned.” It's a kind of an oxymoron but that's the kind of thing that happened to me. I just watched and learned from him, so he is my unofficial guru. © Twitter Q. Do you think parallel cinema will ever get its real identity among the viewers? Menon: The moment we call something parallel cinema, how can we expect it to get an identity? The idea is to call it nothing else but just cinema. When you call it cinema then it has some parity, it has some chance of a level playing field. The moment you categorise something...it's like calling someone a Dalit, its wrong! The moment you remove the nomenclature, then your identification doesn't remain compartmentalised to calling somebody something. So let's call it cinema, let us start from there. Let's completely bury the term parallel cinema and automatically it would be the first step and rest would follow. Q. When your own personal cinema aesthetic is higher than the films you are acting in, what do you do? Menon: There is something called adjustment which I use. Because nothing in this world is exactly like you want it to be. Your own idea of cinema is something you need to find, adapt to the space given and the work you are doing and that's the only way to peacefully exist. To think that everything would be completely ideal would be a utopian concept and it doesn't happen in reality. So I adjust and use creativity along with that, you never know the moment you start adjusting you can come up with something much more brilliant than something you thought of, so let's give that a chance. Unusual Suspects! #Firrkie #Shootlife #London #Coactors #actorslife #photooftheday A post shared by Kaykay Menon (@kaykaymenon02) on Sep 14, 2017 at 10:10am PDT Q. What kinds of cinema you feel deteriorates the filmmaking industry and which is the last commercial film you totally enjoyed and why? Menon: See, whatever is the condition of cinema today, it is because of our own making, so there is no point complaining about it. I think there are a number of mainstream films that are wonderful like those of Raju Hirani, Shoojit Sircar and Aamir Khan's films which are wonderful. Let's not generalise, there are films that are really good, there are films that are really bad and we should appreciate the good. Q. Do you think a film's success should be all about the '100 crore' club? Where does the real success of a film lie? Menon: I think the parameter of success is already defined, so that doesn't require any elaboration. As far as the '100 crore' club is concerned, I am sure they would have a nice tennis court and I would like to play tennis there.
  6. Suna hai log usay aankh bhar kay daikhtay hain, So us kay sheher main kuch din theher kay daikhtay hain, Suna hai rabt hai usko kharab haaloun say, so apnay aap ko barbaad kar kay daikhtay hain, Suna hai dard ki gahak hai chashm-e-naaz uski, so ham bhi us ki gali say guzar kay daikhtay hain, suna hai us ko bhi hai sher o shayari say shaghaf, so ham bhi mojzay apnay hunar kar dekhtay hain, suna hai bolay to batoun say phool jhartay hain, yeh bat hai t chalo bat kar kay daikhtay hain, Suna hai rat usay chand takta rehta hai, sitaray baam e falat se utar kay daikhtay hain, suna hai din ko usay titliyan stati hain, suna hai rat ko jugno theher kay daikhtay hain, suna hai hashr hain us ki ghazaal si ankhain, suna hai us ko hiran dhasht bhar kay daikhtay hain, suna hai us ki syah chashmagi qayamat hai, so usko surmah faroosh aah bhar kay dekhtay hain, Suna hai us kay laboun say ghulab jaltay hain, so ham bahar pay ilzam dhar kay daikhtay hain, suna hai aaina tamsaal hai jabeen us ki, jo saada dil hain usay ban sanwar kay daikhtay hain, suna hai us k badan ki tareash aisi hai, k phool apni kabayen katar kay daikhtay hain, bas ik nigaah main lut’ta hai qaafila dil ka, so rah rawan e tamanna bhi dar k daikhtay hain, suna hai us kay shabistaan say mutasssil hai bakhisht, makeen udhar kay bhi jalway idhar kay dekhtay hain, kisay naseeb kay be pairhan usay daikhay, kabhi kabhi dar-o-deewar ghar kay dekhty hain, rukay to ghardishain uska taqaaf karti hain, chalay to usko zamanay theher k daikhtay hain, kahaniyan hi sahi, sab mubalghay hi sahi, agar yeh khwab hai tabeer hai tabeer kar kay daikhtay hain ab us kay sheher main thehrain kay kooch kar jayen, Faraz aao sitaray safar kay daikhtay hain,
  7. Sab kay beech muskura muskura kay thak gaya hoon, kuch dair akelay rona chahata hoon.. duniya ki mehfilon say tang aa gaya hoon, kuch dair tanha rehna chahata hoon.. zindagi ki raahon par sath day day kar toot gaya hoon, kuch dair khud ko samitna chahata hoon.. dosron ki madad kar kar kay choor ho gaya hoon, kuch dair apni madad karna chahata hoon.. tasaliyaan day day kar lafzon say khali ho gaya hoon, kuch dair apnay alfaz dhondna chahata hoon.. doston ko sambhaltay sambhaltay bikhar gaya hoon, kuch dair khud ko sambhalna chahata hoon.. saansein bant bant kar dil shikasta ho gaya hoon, kuch dair khud saansein lena chahata hoon.. yaaron kay aansu saf kar kar kay ukta gaya hoon, kuch dair khud aansu bahana chahata hoon.. muskura muskura kar thak gaya hoon, kuck dair akelay rona chahata hoon.
  8. میں اس کے ہاتھ نہ آؤں اور وہ میرا ہو کے رہے میں گر پڑوں تومیری پستیوں کا ساتھی ہو افتخارعارف دیار نور میں تیرہ شبوں کا ساتھی ہو کوئی تو ہو جو میری وحشتوں کا ساتھی ہو میں اس سے جھوٹ بھی بولوں تو مجھ سے سچ بولے میرے مزاج کے سب موسموں کا ساتھی ہو میں اس کے ہاتھ نہ آؤں اور وہ میرا ہو کے رہے میں گر پڑوں تومیری پستیوں کا ساتھی ہو وہ میرے نام کی نسبت سے معتبر ٹھہرے گلی گلی میری رسوائیوں کا ساتھی ہو کرے کلام مجھ سے تو میرے لہجے میں میں چپ رہوں تو میرے تیوروں کا ساتھی ہو میں اپنے آپ کو دیکھوں اور وہ مجھ کو دیکھے جائے وہ میرے نفس کی گمراہیوں کا ساتھی ہو وہ خواب دیکھے تو دیکھے میرے حوالے سے میرے خیال کے سب منظروں کا ساتھی ہو
  9. Aa bhi jao kay zindagi kam hai.... Aa bhi jao kay zindagi kam hai..... tum nahi ho to har Khushi kam hai vadaa kar ke ye kon aayaa nahi sheher main aaj roshni kam hai jaane kyaa ho gaya hai mausam ko dhuup ziyada hai chaandani kam hai aainaa dekh kar Khayal aaya aaj kal un ki dosti kam hai tere dam se hi main mukammal hoon bin tere meri zindagi kam hai..
  10. '' ہر اِنسان کے ساتھ ایک محافظ ہوتا ہے '' مروی ہے کہ حضرت آدم علیہ السّلام نے بارگاہِ خداوندی میں عرض کی: '' اے میرے پروردِگار عزوَجل! تُو نے مجھ پر ابلیس کو مُسلّط کر دیا،میں تیری مدد کے بغیر اس پر قابو نہیں پا سکتا۔ '' اللّہ عزوَجل نے اِرشاد فرمایا: '' میں تیری اولاد کے ہر ہر فرد کے ساتھ ایک محافظ پیدا کروں گا جو اسے شیطان اور دیگر بُرے ساتھیوں سے بچائے گا۔ '' حضرت آدم علیہ السّلام نے عرض کی: '' اِلٰہی! کچھ مزید عطا فرما۔ '' اللّہ عزوَجل نے اِرشاد فرمایا: '' ایک نیکی کا اجر دس گُنا ہو گا اور نیکی میں اضافہ کروں گا اور بُرائی کا گُناہ بُرائی جتنا ہی ہو گا اور بُرائی کو مِٹاؤں گا۔ '' حضرت آدم علیہ السّلام نے عرض کی: '' اِلٰہی! مزید عطا فرما۔ '' اللّہ سبحان و تعالیٰ نے اِرشاد فرمایا: '' جب تک رُوح کا جِسم کے ساتھ رِشتہ برقرار رہے گا میں اِنسان کی توبہ قبول کرتا رہوں گا۔ '' حضرت آدم علیہ السّلام نے عرض کی: '' اے میرے پروردِگار! اور عطا فرما۔ '' اللّہ سبحان و تعالیٰ نے اِرشاد فرمایا: '' میرے بندّے جو گُناہوں کے سبب اپنے اوپر ظُلم کر بیٹھیں ان سے کہہ دو کہ وہ میری رحمت سے مایوس نہ ہوں،بے شک میں تمام گُناہ بخش دوں گا،بے شک میں بہت مغفرت فرمانے والا ہوں۔ '' حوالہ جات:- ( رُوح البیان،پارہ 11،ھود،تحت الایۃ:3 ،4/93 ) نام کتاب = ریاض الصّالِحین صفحہ = 289 مؤلف = اَبُوزَکَرِیّا مُحی الدّین یحیٰی بِن شَرف نَوَوِی رحمتہ اللّہ علیہ ترجمہ و وضاحت بنام = انوارُالمُتَّقِین شرحُ رِیاضِ الصَّالِحِین المعروف فیضانِ ریاض الصالحین پیش کش = المدینۃ العلمیۃ ( شعبہ فیضانِ حدیث )
  11. ﻣﯿﮟ ﺩﻭﺳﺘﯽ ﮐﮯ ﻋﺠﺐ ﻣﻮﺳﻤﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﮐﺒﮭﯽ ﺩﻋﺎﺅﮞ، ﮐﺒﮭﯽ ﺳﺎﺯﺷﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﺟﻮ ﺗﻢ ﺫﺭﺍ ﺳﺎ ﺑﮭﯽ ﺑﺪﻟﮯ، ﺗﻮ ﺟﺎﻥ ﻟﮯ ﻟﻮﮞ ﮔﺎﮦ ﻣﯿﮟ ﮐﭽﮫ ﺩﻧﻮﮞ ﺳﮯ ﻋﺠﺐ ﻭﺍﮨﻤﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﻣﯿﮟ ﺟﺲ ﻃﺮﺡ ﺳﮯ ﮐﺒﮭﯽ ﺩُﺷﻤﻨﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﺗﮭﺎ ﺍُﺳﯽ ﻃﺮﺡ ﺳﮯ ﺍﺑﮭﯽ ﺩﻭﺳﺘﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﻗﺪﻡ ﻗﺪﻡ ﭘﮧ ﮨﯿﮟ ﺑﮑﮭﺮﮮ ﮨﻮﺋﮯ ﻧﻘﻮﺵ ﻣﺮﮮ ﻣﯿﮟ ﺗﯿﺮﮮ ﺷﮩﺮ ﮐﮯ ﺳﺐ ﺭﺍﺳﺘﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﮐﯿﺎ ﮨﮯ ﻓﯿﺼﻠﮧ ﺟﺐ ﺳﮯ ﭼﺮﺍﻍ ﺑﻨﻨﮯ ﮐﺎ ﻣﯿﮟ ﺍﻋﺘﻤﺎﺩ ﺳﮯ ﺍﺏ ﺁﻧﺪﮬﯿﻮﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﺗﻤﮩﺎﺭﮮ ﺑﻌﺪ ﯾﮧ ﺩﻥ ﺗﻮ ﮔﺬﺭ ﮨﯽ ﺟﺎﺗﺎ ﮨﮯ ﻣﯿﮟ ﺷﺐ ﮐﻮ ﺩﯾﺮ ﺗﻠﮏ ﺁﻧﺴﻮﺅﮞ ﻣﯿﮟ ﺭﮨﺘﺎ ﮨﻮﮞ ﻋﺎﻃﻒؔ ﺳﻌﯿﺪ
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